Sunday, January 29, 2017

Franck's Symphony in D minor

Franck - "Symphony in D Minor" (1958) - RCA Victor

Hello Friends,

We're keeping things classy once again here on Vinyl in the Valley.

Here's a record of Cesar Franck's Symphony in D Minor as arranged and conducted by Charles Munch and the Boston Symphony Orchestra.

Kind of a cool-sounding, lesser known Symphony from 1888.  Late Romantic period.   Three movements utilizing a cyclic form, meaning that the melody that is introduced at the very start of the piece is repeated and mutated throughout the movements.  

Believe it or not, this was kind of a revolutionary idea really embraced by the Romantic composers. The vast majority of the Classical Era Symphonies use completely different themes and melodies in each of their separate movements.  Its kind of crazy but your typical Symphony by the likes of Hayden, Beethoven or Mozart would be comprised of four distinct and separate movements that would not have much to do with each other sonically or thematically.  (Beethoven's Fifth & Ninth Symphonies being two notable exceptions!)

Think of it as four unrelated songs on a record.

When the Romantic composers came along they utilized cyclic form to help tie together the piece so there was more of a thematic flow.   Think of it more like Sgt Peppers or The Wall.

Belgian-born Franck lived from 1822 to 1890.  He was both a child prodigy and a late bloomer, with most of his important works being written the last 18 years of his life. This, his only Symphony, is probably his most famous work.  

To be honest, this symphony has a pretty dark & foreboding sound to it.  If you would have told us that it was something by Wagner (especially the First Movement), we probably would have believed you!

RATING: 4 Allegro Non Troppos out of 5


Friday, January 27, 2017

Exsage - "Tripwire" (2016)



Hello Friends,

Here's some good old-fashioned sludgy desert rock from ExSage, a duo (Kate Clover & Time Foley) who just released their first EP in 2016. The five-song EP, Out of the Blue, was produced Alain Johannes (QOTSA, Them Crooked Vultures, Mark Lanegan, etc.)

They got some nice hooks, plus a smokin' hot chick in the band to boot!




Wednesday, January 25, 2017

Sturgill Simpson - "Brace For Impact (Live A Little)" (2016)





Hello Friends,

Pretty cool video from Sturgill Simpson from his 2016 record, A Sailor's Guide To Earth.

The video is directed by Matt Mahurin, who also directed Simpson's "In Bloom" video.  

Grim Reapers + coffins + aliens soulful country jams = right up our alley

Enjoy!



Monday, January 23, 2017

Without a Song

Willie Nelson - "Without A Song" (1983) - Columbia Records

Howdy Friends,

This is a VERY early 80's sounding record by Shotgun Willie.  

Like 1978's remarkable Stardust and 1981's Somewhere Over the Rainbow, Without A Song is another foray into tin pan alley-style standards from the country crooner.  

And while Willie, of course, sounds great on vocals and guitar, there's that certain tinniness to the rhythm section and organ parts that seemed to permeate a lot of recordings in this era.  All of the non-Willie guitar solos have that certain soft rock smoothness to them that borders dangerously close to sounding like Muzak.

Things almost sound a little too polished.  

Here at the tiki bar we mostly like our records stripped down and raw-sounding. Especially with our Country records where the star of the song should be the song itself and not the slick production style!

Or as Tiki T. is wont to say, "More thrills, less frills."

This is no clearer than on the very dated version of "As Time Goes By", a duet between Willie and Julio Iglesias, which probably would have sounded great at some ridiculously rich kids' Bar Mitzvah in the early 1980's.

The good news is that the title track is pretty amazing while "Once In A While", "Golden Earrings",  "You'll Never Know", "To Each His Own" and the closing track, "A Dreamer's Holiday" are all really good.

Even mediocre Willie is still better than mostly everything else!

RATING: 4 never knows what makes the rain fall, never knows what makes the grass so tall out of 5

Friday, January 20, 2017

The Orwells - "Black Francis" (2017)


Hello Friends,

Happy Friday!  Here's some new music from Chicago's pride and joy, The Orwells.

Sounds pretty similar to their earlier stuff but with more dancing models!

(A definite nod to the Pixies, no?)

Their third record, Terrible Human Beings, will be released this February.

Enjoy!

Thursday, January 19, 2017

Here They Come!

Paul Revere & The Raiders - "Here They Come" (1965) - Columbia Records

Hello Friends,

We've got Boise, Idaho's own Paul Revere & The Raiders on the turntable tonight.

Here They Come! would be the Raiders' third LP, their first for Columbia records, the first to get them some attention beyond the Pacific Northwest and the first to chart (it would reach # 71 on the US Charts).   It would also be Columbia Records' first "rock & roll" record. 

Produced by Doris Day's son (and Charlie Manson bud) Terry Melcher, it would be the last Raiders' album released before they really took off and before they started regularly appearing on Dick Clark's American Bandstand spin-off show, Where the Action Is.



This isn't a great album, but its pretty good.  Side One captures the band in a faux-live setting playing pretty rip-roaring R&B standards like "You Can't Sit Down", "Money (That's What I Want)", "Louie Louie" and "Do You Love Me?"  Definitely a great way to get a raucous party started (by 1965 standards!)

Side Two gets a little more folksy, a little more psych-y and a little more expressive.  Over the course of the side of an album they evolve from a middle-of-the-road dance/party band to a tight-sounding, legit rock & roll band.  

There's more cover songs on Side Two, like "Fever" & "Time Is On My Side", but there are also some great songs written by some of their contemporaries like Bruce Johnston/Melcher ("Gone") and Steve Barri/P.F. Sloan ("These Are Bad Times For Me And My Baby").  The album's soulful closer (and our probable winner for best song on the record award), "A Kiss To Remember Her By" was a completely original tune, composed by Lindsay.

History will probably most remember Paul Revere and The Raiders as a gimmicky sort of band as in their early days they would perform dressed up like Colonial Minutemen, however, there was nothing gimmicky about their tight and driving rhythm section, their grinding lead guitar work (by Drake Levin), their heavy, bleeding Hammond organ (by Paul Revere) and singer Mark Lindsay's soulful, raspy vocals.  Like all great rock & roll bands they were a bunch of white kids pretending (wishing) to be black and having a ton of fun doing it! 

FUN FACT: Hey kids, did you know that lead singer, Mark Lindsay, and producer, Terry Melcher, once shared a house at 10050 Cielo Drive in Los Angeles's Benedict Canyon? Sound familiar? That's the same house that Sharon Tate & friends would be brutally murdered by the Manson family in August 1969! Melcher Skelter!

RATING: 3.5 kisses to remember you by out of 5 

Tuesday, January 17, 2017

Charles Bradley - "Changes" (2016)


We're not sure about you, friends, but this song by Charles Bradley is pretty much exactly where we're at these days, musically speaking!

Heavy, intense, soulful & black.

Enjoy!




Friday, January 13, 2017

The only reason why you're here Yoko is cuz you're sucking my dick...



Happy Friday Friends!

** record scratch **

We knew there was something that just didn't sit right with us after watching this video of Chuck Berry & John Lennon performing Berry's "Memphis" on The Mike Douglas Show.

Bill Burr nails it.

Enjoy!

Thursday, January 12, 2017

Chuck Berry w/ John Lennon - "Memphis, Tennessee" (1972)



Hello Friends,

Here's a fun clip of the great Chuck Berry performing with John Lennon's Plastic Ono Elephant's Memory Band on an episode of The Mike Douglas Show from February of 1972.

Nice to see these two legends jamming out to a classic, early Chuck Berry tune!

Enjoy!






Saturday, January 7, 2017

Montana Slim

Wilf Carter - "Montana Slim" (1959) - RCA Camden

Hello Friends,

Calgary's Wilf Carter (or as he was known in the States, Montana Slim) is often considered to be the father of Canadian Country Music.

We bought this at a thrift store for a dollar even though we never heard any of Wilf Carter's/Montana Slim's music.  We figured, what do we have to lose for $1 and that great cover alone is worth the price of admission!  In other words, how could we not buy this record? 

When we got home and listened to it, we were pleasantly surprised!

Wilf Carter was a yodeling, guitar-picking singer of cowboy songs.  Not too far removed from the likes of Hank Williams or Hank Snow or, especially, Jimmie Rodgers.

Lots of straightforward, honest cowboy songs about trains, whiskey, rustling cattle, Kentucky Moons and lost loves.   Most of the arrangements are refreshingly sparse allowing most of the songs to feature Wilf's golden throat and his acoustic guitar.

The album's highlight?  Probably the drinking song, "Rye Whiskey"....

Rye Whiskey, Rye Whiskey, Rye Whiskey I cryyyyyy-
If I don't get Rye Whiskey, I surely will die-
If the ocean was Whiskey and I was a duck,
I'd swim to the bottom and never come up...



Great, now we're thirsty!

RATING: 4 there's a lovely knot in my lariat out of 5

Friday, January 6, 2017

The Kinks - "Got Love If You Want It" (1964)



Happy Friday Friends!

Here's a clip of The Kinks performing their version of the Slim Harpo classic, "Got Love If You Want It".

Some great early footage of the band, plus a couple of killer harmonica solo by Ray Davies!

We count at least 6 or 7 different camera angles being used in this footage which was pretty ahead of its time in 1964!

Enjoy!

Wednesday, January 4, 2017

You Really Got Me

The Kinks - "Kinks" (1964) - Sanctuary Records

Hello Friends,

In the early 1960's, a bunch of British pasty white kids with bad teeth and shaggy haircuts picked up some instruments and tried to learn (and emulate) black American R&B tunes. What could possibly go wrong?

Actually, everything went completely right and the rest went down as rock & roll history! No shit. Who woulda thunk it?

One of the greatest of the British Invasion bands is, of course, The Kinks.  Hailing from the North London hamlet of Muswell Hill, The Kinks were founded by the infamous brothers Davies, Ray & Dave.  Ray, 20, would do most of the singing and songwriting, while younger brother Dave (only 17) would provide the perfect foil with his punk-tinged lead guitar stylings. Their debut album (simply named Kinks in the U.K and re-titled You Really Got Me here in the States) captures a bunch of gangly, pasty British boys with more attitude than talent.  

The album, produced by the great Shel Talmy, would be an above average debut for any band. However there was one standout on the album that really catapulted to band into a stratosphere that most young musicians can only dream of!

"You Really Got Me" was a career-maker, full of distortion, attitude & power chords. A self-described "love song for street kids" and arguably the world's first punk song.  It would reach Number One in the U.K. and Number Seven in the U.S.  It would give the band International success and acclaim.  Luckily for us, the story didn't end there and The Kinks enjoyed a 30+ year career with dozens of amazing songs and albums.

Besides "You Really Got Me", the other Davies compositions on this record include the Stones-y "So Mystifying", "You Can't Go To Sleep" (a typical merseybeat number with a very Kinks-ian middle eight), "I Took My Baby Home", "Revenge" and the great, great, great "Stop Your Sobbing" (famously covered by The Pretenders as their first single, a couple of years before Chrissie Hynde & Ray Davies would actually start dating!  You go Ray!)

There's also the obligatory R&B covers here as well (all good by the way!) including two Chuck Berry tunes ("Beautiful Delilah", "Too Much Monkey Business"), "Long Tall Shorty", "I'm A Lover Not A Fighter", a Bo Diddley call-and-response rager ("Cadillac") and a Slim Harpo classic ("Got Love If You Want It").  

Producer Talmy even contributes two songs, his arrangement of the bluesy "Bald Headed Woman" and "I've Been Driving on Bald Mountain"... geez, did the guy have an obsession with losing his hair? 

On most of these early tracks, what would become Ray Davies distinctive vocals are hardly recognizable.  Also, there's a raucous, sneering speed to most of the songs. The arrangements are pretty straightforward and the acoustic guitar work* is sparse. The closest the album gets to a ballad is Davies beautiful and fragile-sounding, "Sobbing".*** Let's face it though kids, The Kinks didn't pull off the American R&B sound as well, or as convincingly as, bands like The Stones, The Yardbirds or even The Who did.  It didn't matter.  The stories and songs swirling around in young Ray Davies mind would provide the soundtrack to one of rock & roll's most beloved bands!     


* It should also be mentioned that for years there have been a slew of rumors that Jimmy Page played guitar throughout the album.  What seems to be confirmed is that Page, who played as a hired session guitarist** on almost everybody's record recorded in London at the time, played acoustic and 12-string guitar on a couple of tracks.

** In addition to Page, the legendary keyboardist Jon Lord (Deep Purple) was also rumored to be in these sessions as well.

*** The two most well-known songs on this record are, of course, "You Really Got Me" and "Stop Your Sobbing", which sort of become a yin and yang of the record.  One is abrasive, punkish and full of 'tude; the other is more contemplative, apologetic and is performed in more of a 1950's teen idol style.  One is written by Davies as a streetwise Angry Young Man; the other still has plenty of bite, but is written by a sweeter, more nostalgic young man. Both are great and both even had great success while being covered by bands in the late 70's (Van Halen & The Pretenders, respectively!) 

Finally, it should be mentioned that the record we've been spinning tonight is part of a Kinks' reissue series to celebrate their 50th anniversary.  Its beautifully remastered and restored to its original Mono.  On 180 gram vinyl, its doubtful that this album ever sounded so goddamned good!

RATING: 4.5 bald headed women gonna make me mean, yes, love, it'll make me mean out of 5

Sunday, January 1, 2017

T.Rex - "Bang A Gong" (1973)


Happy New Years Friends!

Not much is getting done today as it feels like someone is banging a gong on my head all day! 

Here's a great T. Rex clip from an episode of The Midnight Special!

Here's to 2017!  

Enjoy!