from Austin City Limits
Here's to 82 more!
Wednesday, April 29, 2015
Tuesday, April 28, 2015
ABBA - Knowing Me, Knowing You (1977)
"Knowing Me, Knowing You" by the Swedish supergroup, Abba!
Great breakup song!!!
When you want to break-up with someone, you should just play this song for them. It will still be sad, but it will definitely take some of the sting out!
Great breakup song!!!
When you want to break-up with someone, you should just play this song for them. It will still be sad, but it will definitely take some of the sting out!
 |
| sssssh |
Sunday, April 26, 2015
Sunday Jazz Brunch on the tiny island of Espiritu Santo
Les Brown and his Band of Renown - "Dance to South Pacific" (1958) - Capitol Records
Hello Friends,
We're enjoying another Sunday brunch here on Vinyl in the Valley. The mimosas are flowing and Tiki T. is poaching up some eggs benny. I'm no soothsayer, but I can see into the future of this Sunday and I see a lot NOT getting done today!
The chores can wait. In the meantime, we've got this great Les Brown record on the turntable. Twelve mostly swinging tracks lifted from the classic Rodgers & Hammerstein musical that captivated the nation throughout the fifties, South Pacific.
"Dites-Moi" and "Some Enchanted Evening" are fun, bouncy numbers punctuated by a solid brass section. Frank Comstock's arrangement of the brunch-themed "Bloody Mary" is pretty solid as well. "This Nearly Was Mine" is Brown and his orchestra at their somber creamiest. "There Is Nothin' Like A Dame" sounds like something that The Count Basie orchestra might have recorded. The album's highlight is probably Billy May's cha-cha arrangement of the tiki anthem, "Bali Ha'i".
All today needs to be perfect is a hammock strapped between two palm trees and a sexy native bringing me rum drinks in hollowed-out pineapples!
Oh and if someone can do the dishes!
RATING: 3.5 gonna wash that man right outta my hairs out of 5
Friday, April 24, 2015
Happy Friday! Let's check in with the lovely-scary Tonetta!
TGIF Friends!
Here's another amazing Tonetta performance to get you pumped up for the weekend!
Stay in school kids!
Wednesday, April 22, 2015
Tony Joe White - "Even Trolls Love Rock & Roll" (1980)
Friends, you know you've got to pay the toll because even trolls love Rock & Roll!
Well put!
This is from a 1980 episode of Tony Joe White on Austin City Limits.
Rock on!
Rock on!
Sunday, April 19, 2015
Macho, Macho Man
Village People - "Macho Man" (1978) - Casablanca Records
Hello Friends,
If listening to The Village People doesn't put you in a good mood, you're incapable of being in a good mood!
Clocking in at under 28 minutes, Macho Man is the Village People's second album and like all their classic records was produced by French disco wunderkind, Jacques Morali.
Side One contains the title track blending seamlessly into the epic (gay) anthem, "I Am What I Am".
To be honest, it sounds amazing.
If Tiki T. and I were adults in 1978 we probably would have hated The Village People and pretty much all of disco with every fiber of our beings. But listening to this manufactured, overproduced, hyper-sexualized dance music over 30 years later is a real sonic treat!
To be honest, it sounds amazing.
If Tiki T. and I were adults in 1978 we probably would have hated The Village People and pretty much all of disco with every fiber of our beings. But listening to this manufactured, overproduced, hyper-sexualized dance music over 30 years later is a real sonic treat!
Side Two continues the party with "Key West", a disco medley of "Just A Gigolo"/"I Ain't Got Nobody" & "Sodom & Gomorrah".
From those song titles, to the cover art and the lyrics throughout, this might be the most overtly and outwardly gay record in our record collection! Our main question is, how the hell did anyone not immediately realize that The Village People were a collective of (mostly) gay guys catering specifically to a predominantly gay audience?
Even Disneyland Records released a parody called "Macho Duck" just a year later! We're going to assume that the Donald Duck had no idea of exactly what he was parodying at the time!
Man, can you imagine a gay Donald Duck?
Even Disneyland Records released a parody called "Macho Duck" just a year later! We're going to assume that the Donald Duck had no idea of exactly what he was parodying at the time!
Man, can you imagine a gay Donald Duck?
RATING: 4 every man wants to be a macho man to have the kind of body always in demand out of 5
Friday, April 17, 2015
The Ramones - "Time Has Come Today" (1983)
Hey Kids,
What time is it?
Its time for The Ramones!
This cover of the Chambers Brothers' classic was released on 1983's Subterranean Jungle. Nice!
Its time for The Ramones!
This cover of the Chambers Brothers' classic was released on 1983's Subterranean Jungle. Nice!
Wednesday, April 15, 2015
Chesterfield Kings - "99th FLOOR" (1980)
Great cover of The Moving Sidewalks song from 1966... a garage-rock classic!
The song originally was written by The Sidewalks' frontman, Billy Gibbons, who would later go one to form ZZ Top.
Anyone else think a young Martha Quinn looks a lot like Sandy Hook-shooter* Adam Lanza?
Anyone else think a young Martha Quinn looks a lot like Sandy Hook-shooter* Adam Lanza?
* allegedly
Thursday, April 9, 2015
13th Floor Elevators: Easter Everywhere
The 13th Floor Elevators - "Easter Everywhere" (1967) - International Artist
Hello Friends,
The year 1967 marked a turning point in music and culture, especially in these here United States. There was no shortage of good music either. Bands began pushing the envelope with sounds and instruments. 1967 had debuts from The Doors, The Grateful Dead, The Jimi Hendrix Experience, Moby Grape, Big Brother & the Holding Company, The Velvet Underground, Pink Floyd & Leonard Cohen. Frank Zappa & The Mothers released Absolutely Free. The Kinks gave us Something Else. The Beach Boys cut & pasted together, Smiley Smile. Cream, Disraeli Gears. The Who Sell Out. The Stones' Their Satanic Majesties Request. And the grandaddy of them all, Sgt. Pepper's Lonely Hearts Club Band.
The year 1967 marked a turning point in music and culture, especially in these here United States. There was no shortage of good music either. Bands began pushing the envelope with sounds and instruments. 1967 had debuts from The Doors, The Grateful Dead, The Jimi Hendrix Experience, Moby Grape, Big Brother & the Holding Company, The Velvet Underground, Pink Floyd & Leonard Cohen. Frank Zappa & The Mothers released Absolutely Free. The Kinks gave us Something Else. The Beach Boys cut & pasted together, Smiley Smile. Cream, Disraeli Gears. The Who Sell Out. The Stones' Their Satanic Majesties Request. And the grandaddy of them all, Sgt. Pepper's Lonely Hearts Club Band.
Released just one year after their amazing debut, The 13th Floor Elevators released Easter Everywhere, another psychedelic masterpiece. Like the times themselves, there's a definite evolution here as well. Not only was the band continually expanding their minds through living the Rock & Roll lifestyle, but by '67 they were more worldly & world-weary. Also, by most reports, they were probably ingesting more psychedelics than your average, run-of-the-mill Texas garage band! Just say no, kids!
The band has broadened their sound as well, playing a slightly more developed version of their signature psychedelic blues with more folk, jazz & Eastern influences thrown in. For their sophomore effort, the rhythm section would also be updated. Bassist Ronnie Leatherman and drummer John Ike Walton would be replaced by Dan Galindo and Danny Thomas, respectively. Of course, each song on the record is enhanced by Tommy Hall's ubiquitous and fluttering electric jug playing!
Frontman Roky Erickson is in especially fine form. His barbaric yawp never sounded better! With whacky stream of consciousness lyrics, he's equal parts Syd Barrett & Jim Jones. William Blake & Charlie Manson. Whimsically menacing. Almost like a crazed Bob Dylan leading a religious cult while ingesting healthy doses of lysergic acid.
Things get kicked off with "Slip Inside This House" which typifies everything that's to follow on the record. Blistering psychedelic rock with equal parts drugs & blues. Erickson's manic philosophy invites the listener in to "slip inside this house as you pass by". At over 8 minutes, it sounds more like a Sermon than a follow-up to "You're Gonna Miss Me".
"Slide Machine" was written by frequent Elevators pal & muse, Powell St. John. Now we're not exactly sure what a slide machine is except that "it sweeps bones right off the road" and the image of a slide machine headed our way with Stacy Sutherland's angry fuzz guitar and Hall's maniacal jug is enough to scare the crap out of anyone, stoned or otherwise!
"She Lives (In A Time of Her Own)" is a fantastic little 3 minute psych-pop gem which sounds like it would have sounded perfectly at home on their debut record, The Psychedelic Sounds of The 13th Floor Elevators.
On Surrealistic Pillow (also 1967), The Jefferson Airplane asked "Don't You Want Somebody to Love"? On Easter Everywhere, Stacy Sutherland channels both the Airplane and The Byrds (two West Coast-influences) on the lamenting and fuzzy, "Nobody to Love".
Side One wraps up with a grungy, desperate-sounding version of Dylan's "It's All Over Now, Baby Blue". Erickson channeling Dylan is equal parts triumphant and heartbreaking!
Side Two opens up with another rollicking psychedelic thrill ride, "Earthquake" (think "Roller Coaster" from The Psychedelic Sounds Of).
This rager is followed by one of the band's most raw and vulnerable-sounding songs, "Dust". A quiet and mostly acoustic ballad with cryptic, haiku-type lyrics is about as close to a "love" song as the band would ever get!
In a much cooler alternate Universe, "I've Got Levitation" would have been Easter Everywhere's "hit" single. Once again, it sounds a little like The Byrds or even more like The Monkees on LSD. (It also contains the lyric, "The waves of higher bodies soon dazzling in my ears / Will center my vibrations with the music of the spheres" inspiring the name of the box set!)
Clementine Hall (Tommy's wife) would co-write and harmonize on the gorgeous-sounding, "I Had to Tell You" which has Roky sounding a lot like Michael Stipe. (Just listen to the way he sings, "I'm feelin' fine" at the end of the each chorus!) Clementine was no Yoko however, as this song is fantastic, as is the song she co-wrote on the first record, "Splash 1".
The album's last track is, unfortunately, the album's only weak song. "Postures (Leave Your Body Behind)" provides a Motown-influenced backdrop to Roky's meandering lyrics about out-of-body consciousness. Its all rather new age-y. It probably would have worked much better against noisy, fuzzy guitars, feedback and drums that sound like they might be tumbling down a set of stairs.
As part of the MUSIC OF THE SPHERES BOX SET, this updated & remastered vinyl edition of Easter Everywhere is presented as a double LP with both Mono & Stereo versions of the record. I'm sure somewhere else someone has done a pretty thorough breakdown of the differences between the two versions. What we basically notice is that the Mono version has a fuller sound with a deeper bass mix and more prominent jug-playing. (Imagine the Saturday Night Live sketch with Christopher Walken telling Will Ferrell/Tommy Hall, "More Jug!")
Easter Everywhere would be the Elevators' penultimate release as well as their masterpiece. In that much cooler, alternate universe that we mentioned earlier, The 13th Floor Elevators are so much more than just rock & roll footnotes. If there was any justice in the world, it would be Roky Erickson's meddlesome mug gracing posters in teenagers' rooms in the late 60's and 70's instead of that creep Jim Morrison! Lizard king, my ass!
The band has broadened their sound as well, playing a slightly more developed version of their signature psychedelic blues with more folk, jazz & Eastern influences thrown in. For their sophomore effort, the rhythm section would also be updated. Bassist Ronnie Leatherman and drummer John Ike Walton would be replaced by Dan Galindo and Danny Thomas, respectively. Of course, each song on the record is enhanced by Tommy Hall's ubiquitous and fluttering electric jug playing!
Frontman Roky Erickson is in especially fine form. His barbaric yawp never sounded better! With whacky stream of consciousness lyrics, he's equal parts Syd Barrett & Jim Jones. William Blake & Charlie Manson. Whimsically menacing. Almost like a crazed Bob Dylan leading a religious cult while ingesting healthy doses of lysergic acid.
Things get kicked off with "Slip Inside This House" which typifies everything that's to follow on the record. Blistering psychedelic rock with equal parts drugs & blues. Erickson's manic philosophy invites the listener in to "slip inside this house as you pass by". At over 8 minutes, it sounds more like a Sermon than a follow-up to "You're Gonna Miss Me".
"Slide Machine" was written by frequent Elevators pal & muse, Powell St. John. Now we're not exactly sure what a slide machine is except that "it sweeps bones right off the road" and the image of a slide machine headed our way with Stacy Sutherland's angry fuzz guitar and Hall's maniacal jug is enough to scare the crap out of anyone, stoned or otherwise!
"She Lives (In A Time of Her Own)" is a fantastic little 3 minute psych-pop gem which sounds like it would have sounded perfectly at home on their debut record, The Psychedelic Sounds of The 13th Floor Elevators.
On Surrealistic Pillow (also 1967), The Jefferson Airplane asked "Don't You Want Somebody to Love"? On Easter Everywhere, Stacy Sutherland channels both the Airplane and The Byrds (two West Coast-influences) on the lamenting and fuzzy, "Nobody to Love".
Side One wraps up with a grungy, desperate-sounding version of Dylan's "It's All Over Now, Baby Blue". Erickson channeling Dylan is equal parts triumphant and heartbreaking!
Side Two opens up with another rollicking psychedelic thrill ride, "Earthquake" (think "Roller Coaster" from The Psychedelic Sounds Of).
This rager is followed by one of the band's most raw and vulnerable-sounding songs, "Dust". A quiet and mostly acoustic ballad with cryptic, haiku-type lyrics is about as close to a "love" song as the band would ever get!
In a much cooler alternate Universe, "I've Got Levitation" would have been Easter Everywhere's "hit" single. Once again, it sounds a little like The Byrds or even more like The Monkees on LSD. (It also contains the lyric, "The waves of higher bodies soon dazzling in my ears / Will center my vibrations with the music of the spheres" inspiring the name of the box set!)
The album's last track is, unfortunately, the album's only weak song. "Postures (Leave Your Body Behind)" provides a Motown-influenced backdrop to Roky's meandering lyrics about out-of-body consciousness. Its all rather new age-y. It probably would have worked much better against noisy, fuzzy guitars, feedback and drums that sound like they might be tumbling down a set of stairs.
As part of the MUSIC OF THE SPHERES BOX SET, this updated & remastered vinyl edition of Easter Everywhere is presented as a double LP with both Mono & Stereo versions of the record. I'm sure somewhere else someone has done a pretty thorough breakdown of the differences between the two versions. What we basically notice is that the Mono version has a fuller sound with a deeper bass mix and more prominent jug-playing. (Imagine the Saturday Night Live sketch with Christopher Walken telling Will Ferrell/Tommy Hall, "More Jug!")
Easter Everywhere would be the Elevators' penultimate release as well as their masterpiece. In that much cooler, alternate universe that we mentioned earlier, The 13th Floor Elevators are so much more than just rock & roll footnotes. If there was any justice in the world, it would be Roky Erickson's meddlesome mug gracing posters in teenagers' rooms in the late 60's and 70's instead of that creep Jim Morrison! Lizard king, my ass!
RATING: 4.5 Three-eyed Men Are Not Complaining They Can Yo-Yo Where They Will Out of 5
Sunday, April 5, 2015
Ghost B.C. - Year Zero (2013)
Hey Kids,
Super-awesome, super-creepy video featuring a bunch of women hanging out with Satan, drinking wine and eating raw meat.
(Sounds like a Saturday night around here!)
For fans for Satanic Popes and boobs of all shapes and sizes!
HOPPY EASTER, y'all!
Friday, April 3, 2015
Dio - "Holy Diver" (1983)
Hello All You Sons of Satan... Its Good Friday and you can either eat fish and go to "Stations of the Cross"... or eat some meat and rock out with a little Dio.
Jesus ain't got nothing on Dio.
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